Upcoming events

  • How to write monsters

    17/05/2026 16.30

    The Imaginarium, Lymington

    A 90‑minute workshop for writers of fantasy, horror, and the uncanny.

    Monsters are never just monsters. They are boundary‑breakers, shadows, and living metaphors; creatures born from the fears, desires, and cultural tensions we’d rather not name. This workshop invites you to stop treating monsters as set dressing and start writing them as the beating heart of your story.

    We’ll explore how monsters emerge from psychological pressure, ecological imagination, and the stories societies tell to preserve their taboos. You’ll learn how to design creatures that feel inevitable rather than arbitrary, beings whose bodies, behaviours, and mythologies reveal the truth behind your characters and their worlds.
    Expect a blend of insight and hands‑on creation.

    You’ll leave with one fully sketched monster and a toolkit for creating many more. Whether you write epic fantasy, cosmic horror, dark folklore, or something stranger, this workshop will deepen your craft and sharpen your imagination.

  • Build unforgettable characters via backstories

    21/05/2026 19.30

    Online

    In this hands-on workshop, Francesco examines the importance of backstories to highlight narrative thematic resonance, analysing novels and films in depth to understand what can undermine an otherwise engaging story.

    Beginning with a word of warning against backstories revealed like clues in a murder mystery, Francesco will dive deep into the importance of connecting characters' backstories to their thematic universe of choice, using examples spanning from Madame Bovary to Spiderman.

    He will then analyse Pi Patel's poignant backstory in the novel 'Life of Pi', showing how the screen adaptation loses most of its emotional force by tweaking the theme ever so slightly.

    It will follow a brief exposition of the 'Trauma Trope', and how to use it effectively (or not so much) showing examples from the tv show 'The Boys'.

    Francesco will close with a display of what a writer can conjure with words, using 'Stories of your life' by Ted Chiang and its screen adaptation 'Arrival' to show the endless possibilities of writing craft.

    4 thought provoking exercises are intertwined with the above sections, suitable for both authors looking to improve their work in progress and writers thinking about their first draft.

  • How to write spine-chilling villains

    18/06/2026 19.30

    Online

    This 90‑minute workshop invites writers to step into the shadowed territory where antagonists stop being clichés and start becoming disturbingly human.

    Writers will explore how every villain carries a private instruction manual for how the world works; a manual shaped by early fractures, defence mechanisms, and the desperate need to feel safe, loved, or simply intact. By tracing that inner logic, you’ll learn to craft baddies whose darkness is rooted in psychological truth rather than trope.

    Across this session, we’ll examine the evolution of the villain from myth to cinema, map shadow archetypes, and study how trauma, shame, and self‑sabotage can become narrative engines. We’ll look at the villain as the protagonist’s distorted mirror, and we’ll explore the ethics of writing evil: how to portray harm without flattening it, and how to make readers feel the unsettling pull of dark empathy.

    By the end, you’ll know how to build antagonists who are complex, contradictory, and frighteningly alive.

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Testimonials

  • Francesco was a charming and engaging tutor with lots of practical advice for budding SFF writers. The course was nicely paced and did not overwhelm and I am told the feedback from him was constructive and challenging which is just what you want. It was a pleasure to attend even if I do not intend to write an SFF novel I certainly know a lot of useful tips which I can apply to other genres

    SM

  • Francesco is clearly a brilliant author and someone who is very passionate about what they do but is also committed to helping new authors learn how to become great writers themselves. His 7 week writing course demonstrates this thoroughly in the way he guides new writers through the steps to creating a great first novel. I found his advice to be invaluable as an aspiring writer and I have already made many improvements to my work with the things he has taught me during his lessons. I would recommended his courses to any new writers struggling to figure out how to write a great book without hesitation.

    BM

  • As a young writer (who's been chipping away at the same old manuscript for ten years) I've been in real need of external guidance and suggestion. I count myself very lucky to have heard about Francesco’s class at this stage in my writing journey – he’s a brilliant teacher, who takes a genuine interest in your own work, and listens to your unique needs as much as he expounds about universal literary concepts and practises. I have been particularly impressed with his ability to answer on-the-fly questions relating theories on plot or character to my own manuscript, and pluck an example from popular culture to back up his input (from Harry Potter, to The Hunger Games, to more classical texts). I’ve come away from his class full of ideas, and with a revitalised passion to put them down on the page.

    JW

  • Francesco is an engaging speaker and clearly a very talented individual when it comes to creative writing. Hearing his story has inspired me to continue pushing to be the best writer I can be. His tenacity in achieving his own dream makes me want to pursue my own even more. I would highly recommend attending some of his courses and workshops.

    DF

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Ciao. I’m Francesco,

After a small literary success in Italy, I decided to switch languages and write in English.

I am represented by Justin Nash, of Kate Nash Literary Agency, and I am a creative writing teacher and speaker with nearly two years of experience.

Want to know more about my courses? Let’s connect!

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